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Cities of the Plain, by Cormac McCarthy
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In this final volume of The Border Trilogy, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, in the still point between their vivid pasts and uncertain futures, to confront a country changing or already changed beyond recognition.
In the fall of 1952, John Grady Cole and Billy Parham--nine years apart in age, yet with a kinship greater than perhaps they know--are cowboys on a New Mexico ranch encroached upon from the north, at Alamogordo, by the military. To the south, always on the horizon are the mountains of Mexico, looming over El Paso, Ciudad Juárez and all the cities of the plain.
Bound by nature to horses and cattle and range, these two discover that ranchlife domesticity is compromised, for them and the men they work with, by a geometry of loss afflicting old and young alike, those who have survived it and anyone about to try. And what draws one of them across the border again and again, what would bind "those disparate but fragile worlds," is a girl seized by ill fortune, and a love as dangerous as it is inevitable.
This story of friendship and passion is enfolded in a narrative replete with character and place and event--a blind musician, a marauding pack of dogs, curio shops and ancient petroglyphs, a precocious shoe-shine boy, trail drives from the century before, midnight on the highway--and with landforms and wildlife and horses and men, most of all men and the women they love and mourn, men and their persistence and memories and dreams.
With the terrible beauty of Cities of the Plain--with its magisterial prose, humor both wry and out-right, fierce conviction and unwavering humanity--Cormac McCarthy has completed a landmark of our literature and times, an epic that reaches from tales of the old west, the world past, into the new millennium, the world to come.
- Sales Rank: #3439838 in Books
- Published on: 1998
- Format: Audiobook
- Original language: English
- Binding: Audio CD
Amazon.com Review
On a ranch in southeastern Texas, soon after World War II, a group of solitary, inarticulately lonely men gathers to work animals as the sun sets for good on the mythic American West. All of these men nurse losses both personal (siblings or wives) and collective (a shared lifestyle and philosophy). Among them is John Grady Cole, the adolescent hero of the first book in Cormac McCarthy's Border trilogy, All the Pretty Horses. John Grady remains the magnificent horseman he always was, and he still dreams too much. On the ranch, he meets Billy Parham, whose own tragic sojourn through Mexico in The Crossing, the second book of the set, continues to quietly suffocate him. The two form a friendship that will nurture both but save neither from the destiny that McCarthy's characters always sense lurching to meet them.
Soaked in storm-heavy atmosphere but brightened by the ranch-hands' easy camaraderie and gentle humor, Cities of the Plain surprises with its sweetness. The awkward doomed-romance plot at the center of this tight, concise novel fails to convince, but, remarkably, does little to undercut the book's impact. What lingers here, and what matters, are the brooding, eerie portraits of the plains and the riders, glimpsed mostly alone but occasionally leaning together, who slip across them, over the horizon into memory. --Glen Hirshberg
From Publishers Weekly
This volume concludes McCarthy's Border Trilogy?the first two books being All the Pretty Horses, which won the National Book Award in 1992, and The Crossing, published to great acclaim in '94. Devoted McCarthy readers will know not to expect any neat or dramatic resolution in Cities of the Plain, for the author is more of a poet than a novelist, more interested in wedding language to experience in successive moments than in building and setting afloat some narrative ark. Cities, like the other books, takes place sometime shortly after WWII along the Texas-Mexico border. John Grady Cole, the young, horse-savvy wanderer from All the Pretty Horses, and Billy Parham, who traveled in search of stolen horses with his younger brother in The Crossing, are now cowhands working outside El Paso. John Grady falls in love with Magdalena, a teenage prostitute working in Juarez, Mexico; determined to marry her, he runs afoul of her pimp, Eduardo. That is basically the narrative. Along the way, McCarthy treats the reader to the most fabulous descriptions of sunrises, sunsets, the ways of horses and wild dogs, how to patch an inner tube. The cowboys engage in almost mythically worldly-wise, laconic dialogues that are models of concision and logic. Although there is less of it here than in the earlier books, McCarthy does include a few of his familiar seers, old men and blind men who speak in prophetic voices. Their words serve as earnest if cryptic instructions to the younger lads and seem to unburden the novelist of his vision of America and its love affair with free will. If a philosophy of life were to be extracted from these tales, it would seem to be that we are fated to be whatever we are, that what we think are choices are really not; that betrayals of the heart are always avenged; and that following one's heart is a guarantee of nothing. There is not much solace in McCarthy-land; there is only the triumph of prose, endlessly renewed, forever in search of a closure it will not find save in silence. 200,000 first printing; BOMC alternate; simultaneous audio, read by Brad Pitt.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
YA-The final book in a trilogy that began with All the Pretty Horses (1992) and continued with The Crossing (1994, both Knopf). John Grady Cole and Billy Parham still love the life of the cowboy, but by 1951 they recognize that this lifestyle is fast disappearing. They work on a ranch near the Mexican border that will eventually be taken over by the federal government for use by the military. On a trip south of the border, John Grady sees a beautiful young woman in a whorehouse and becomes obsessed with her. She has been in bondage since she was barely in her teens and suffers from epileptic seizures. Much of the novel follows his efforts to free her and take her back to New Mexico. His efforts are doomed, however, for her powerful pimp will not let her go, and the story ends in tragedy. Despite the serious and even depressing subject matter, the novel is both arresting and entertaining in its depiction of the southwest in all its sere beauty and its realistic look at ranch life and the characters who choose it.
Molly Connally, Kings Park Library, Fairfax County, VA
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
56 of 57 people found the following review helpful.
A gorgeous ending to a timeless story
By Mike Smith
I usually read every night to my wife. We've gone through dozens of books together in our marriage, and several months ago, I read "All the Pretty Horses" to her. She loved it, and would not let me read her anything else until we had read McCarthy's entire trilogy. We just finished it.
This book, the third in that trilogy, has its shortcomings, but it is still one amazing piece of work.
In this book, John Grady Cole--the genius horsetrainer of "All the Pretty Horses"--and Billy Parham--the kindhearted nomad of "The Crossing"--come together as ranch hands on a New Mexico estancia. Both are older than they were in the previous books--Billy much older--but both are kindred spirits whose stories connect with and affect each another.
The book tends more heavily toward the lengthy philosophical monologues that appear only occasionally in the trilogy's earlier volumes, and the whole story at momemnts goes a little bit long if you've just read the two previous volumes right before.
However, the writing is gorgeous, and haunting. For example, in one passage, a dead calf's "ribcage lay with curved tines upturned on the gravel plain like some carnivorous plant brooding in the barren dawn." Yeah.
And the ending--the ending is amazing. It might not be quite what you expect or ask for, but it is thrilling in its perfectness, in its completess, in how true it feels.
It left me holding the book like a priceless religious relic, re-reading its back cover, flipping back through it to parts I had marked, reluctant and unwilling to let go of these characters or their world.
Cormac McCarthy is a literary genius. He has made the West tangible, taken its most ineffable qualities and turned them into words. He makes me homesick for the place I already live.
Do not start with this book, if you've never read his other works, but do work up to it. Do read it.
0 of 0 people found the following review helpful.
Great characters, and superb language usage
By Gerald Beckman
Great characters, and superb language usage. His use of detail to paint a compelling picture is phenomenal. It's worth reading just for those reasons. The setting, that is, the description of the land and its pathos, is right on the money. I know that from my own experience being raised on a farm/ranch in West Texas in the 1940's when there were still remnants of the times he depicted in the novel. I got in on the tail end of those times, or close enough to them to recognize the veracity of the portrayal. The only reason I don't give it a five is, the endless and pointless conversation between the protagonist and the traveler under the overpass at the end of the novel is. It's too long and becomes pretentious. But I'm sure many would disagree with that, and in fact, many would probably consider it a plus. Also: his method of writing dialogue without quotation marks takes some getting used to, but in the end doesn't distract too badly. In fact, I got to where I kinda liked it!
0 of 0 people found the following review helpful.
Loved this. Mr McCarthy writes so beautifully
By CR
Loved this. Mr McCarthy writes so beautifully; he creates memorable characters and storylines that are totally engaging, and his descriptions of nature are breathtaking.
I wasn't troubled at all by the use of Spanish in the book; in many cases the meaning can be inferred by the context within the story, and for those other times, I simply had a translating website open, and got the meaning there. But I found it no inconvenience at all, because I loved the story and characters so.
I thought 'All the Pretty Horses' was a slightly better book, but I will say the emotional impact of the denouement of this work was, for me, stronger...it was devastating, but real. Highly recommended.
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